Leading Lines

© 2010 Simon Hucko

This week's post is about a compositional tool known as leading lines. Leading lines (appropriately enough) are strong lines in your photo that will lead the viewer's eyes along them. These can come from roads, buildings, fences, shorelines, trees, or anything else that gives a clear path for your eye to follow. If you're aware of them and use them correctly, leading lines can add a lot of strength to your composition.

Take today's photo. In this case, all of the lines in the photo lead to the woman walking up the path. I cropped this shot square to help accentuate these lines, and I think it added a lot to the composition. Leading lines can also be used to draw a viewer back into your image. Try it - look at the photo for a bit and let your eyes wander. When you come to one of the lines, your eyes will naturally start following it toward the middle of the photo. If I am photographing a scene with some sort of strong lines in the foreground, I try to use this to my advantage and frame the shot so that they are near the corners leading into the scene. This will draw people farther into your photo and keep them interested longer.

Leading lines are not always a good thing, though. If you have lines that lead away from your subject, you can draw people away from the main intent of your photo. Worse, sometimes lines will lead a viewer right out of the frame and they'll never return. As with all "rules" of composition you can choose to break these to get a certain effect - in this case, to add a feeling of tension to your shot.

Next time you're out photographing, look around you for the lines in your scene and try to incorporate them into your image. It won't always work, but when it does the results can be great.

~S

[title of blog] on flickr

Breaking the Rules, conintued

© 2009 Simon Hucko

Today we're going to talk about breaking another "rule" of composition. Generally, the best photographs are the ones in which the subject fills the frame. Sometimes, however, you can make a stronger impact by isolating your subject in part of the frame. In the picture above, taken at a modified football game, the subject (the two boys) only fills about 1/4 of the frame. Even still, I think there's something very moving about this image.



Here's the same image with a much tighter crop. While this is a more rule-friendly framing, I think that the photo loses a lot of its impact.

Which do you like better? Why? (Or do you dislike them both?)

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Format change: You've probably noticed I haven't been publishing nearly as often as I used to. For several reasons, I am backing off to one post a week. This is partially because I don't have as much time anymore to write posts, but it's also to give people an opportunity to read and comment on my blog posts, and hopefully to improve the quality of each post. I may still post links and other things during the week, but the meat of this blog will now be published on Monday mornings.

~S

[title of blog] on flickr